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Winter 2023/24
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Interview

David Pascual

Director of RETURN TO XANADU

We would like to express our sincere gratitude to the director David for taking the time to answer our questions.

Whole team of Liverpool Indie Awards is wishing you the very best in all your future projects. We hope to see more of your exceptional work in the years to come. Thank you once again!

Can you tell us about the project you presented and what inspired you to create it?

This project is a cry for help from people who don't practice chemsex. Friends and our social circle play a significant role in this process, and we have very few tools to manage this problem. I was inspired by the idea of showing a reality that is often silenced and stigmatized.

What was your creative vision for this project, and how did you work to bring it to life?

I've always wanted to show this reality in a way that is free of bias. From the perspective of the person addicted to drugs, we make the viewer feel involved in the scene, putting themselves in the characters' shoes. It's an immersive experience.

How did you collaborate with the rest of your team, such as producers, screenwriters, and directors of photography, to ensure the project's success?

As soon as I proposed the idea for this project, they all agreed. The actors, camera operators, lighting crew, and screenwriters accepted my proposal from the beginning. It has been a very enriching experience, full of both fun and sad moments.

From day one, we rehearsed with different methods, testing the best way to portray these kinds of problems, and we always listened to the team's various suggestions.

What were some of the biggest challenges you faced during production and how did you overcome them?

Time and scheduling were key to being able to film. Getting all the actors available to film, ensuring they had the free time to spend hours recording and repeating scenes, was one of the biggest challenges. Fortunately, they are all professionals and showed up.

Can you talk about a specific moment or scene from the project that you are particularly proud of and why?

The house scene was especially emotional because we had to repeat the exact same scene from two different angles. We also ran out of space on the memory card, and it ran out right at the last second of the scene. When we started reviewing the scene, I couldn't help but get emotional and cry. We were showing what we truly wanted to convey.

Looking back, is there anything you would have done differently, and what lessons did you learn from this experience?

When we look back and see that the team said yes to everything, I wouldn't change a thing. I've learned a very valuable lesson: there are many people aware of this problem, and we all have someone close to us caught up in this world of addiction. For me, it has been therapeutic to be able to show the project to the world.

Can you describe a project you are particularly proud of and why it stands out to you?

The first project will always be the one I'm most proud of because I did it with no resources, using a mobile phone, a laptop, and investing time and money to show a problem that goes beyond addiction. "Slam, from Heroin to Methamphetamine" is a humble documentary in which we show another problem.

I couldn't believe the impact it has had; it has been seen all over the world, selected for many LGBTQ+ and human rights film festivals. I couldn't believe so much could be done with so little. Now you can watch it on Prime Video.

What advice would you give to aspiring directors looking to break into the industry?

Just do it! If you're eager to shout everything you have inside to the world, you can do great things with few resources. The viewer will always receive what you feel with enthusiasm and will feel exactly what you want to convey. Don't be afraid to do it.

How did you approach working with the actors to achieve the performances you were looking for in the project?

From the moment we presented the project, the actors identified with it. It was a very sensitive process because we had to get into the shoes of someone who wants to help their friend get off drugs. The actors relived many past moments, and we got emotional while filming, and some tears were shed.
In many families and circles of friends, we have someone who is about to destroy their life because of drugs. Talking about the subject openly helped us not to repress our feelings. We felt a strong connection to the project.

How did you approach the sound design and music for the project, and what was your collaboration like with the composer or sound designer?

Sound is essential for reaching the audience. We worked with a professional who knew how to blend the sound well and give it the intimate feel we wanted.

How did you handle feedback or criticism from your team or audience, and what changes did you implement as a result?

Any feedback and criticism is welcome. They always help us improve and learn.
The team is the cornerstone of the project, and without them, it wouldn't be possible. That's why it's important to receive all suggestions and incorporate them into the project.
So far, we've had very positive reviews and received awards, but we will always use negative feedback to continue improving in future projects.
This short film was made possible thanks to all the actors and crew who said yes and were willing to sacrifice their time to collaborate on this very special project.

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